SHOOTING JAZZ IN THE MAGISTRATES BALLROOM
A Behind The Scenes Story
The Magistrates Ballroom is a location that speaks for itself, ornate, dramatic, and drenched in atmosphere. So when we shot a jazz session there, we knew we had to match that energy with visuals that felt just as rich.
But this project wasn’t just about what was in front of the camera. Behind the lens, we brought on four student trainees part of our ongoing effort to give emerging filmmakers real-world experience. It’s something we do on independent projects, and it’s a core part of our values.
On this shoot, they got hands-on with gear, learned how to work as part of a live production crew, and added real content to their portfolios. For us, that’s just as important as the final edit.
We ran a multi-camera setup to give the performance depth and perspective, balancing steadicam footage with controlled static shots to capture both the intimacy of the musicians and the grandeur of the space. Our lighting approach was deliberate, using the architecture’s natural elegance to frame the session in a way that felt immersive and cinematic.
The footage has a rhythm of its own flowing with the music, pausing in the right places, and giving weight to every beat. It’s a visual companion to the sound, built with sensitivity and intent.
The student crew played a key role in making that happen. They weren’t just observing, they were solving problems, adjusting lights, and learning how a live set moves in real time. The kind of experience that can’t be replicated in a classroom.
Emily Dudley & Lewis Adams
26/06/25
Unearthing the Past: Exploring the Timeless Charm of Vintage Art and Objects
A Behind The Scenes Story




In a city as fast-moving as London, it’s easy for creatives to feel isolated—especially those just starting out. Freelancers bounce between gigs, production teams change week to week, and authentic connection can get lost in the hustle.
That’s why we launched The Networking Event.
Born out of the belief that creativity thrives in community, the idea was simple: bring people together. No pitch decks. No awkward elevator speeches. Just real conversation, shared experience, and a genuine chance to build something bigger than yourself.
From the very first spark of the idea, our goal has been to give freelancers a space to meet, learn, and belong. We wanted to strip away the pressure and create an atmosphere that felt electric yet welcoming. Judging by the feedback, we hit the mark. Attendees told us it was the best vibe they’d experienced at a creative eventwhere people weren’t just swapping LinkedIns, but actually making friends, finding collaborators, and landing work.
It’s especially meaningful to us because we’ve been there. We know what it’s like to be starting out, figuring things out, trying to find your people. This event was for the fresh faces, the ones breaking in, the ones looking for their place in the industry.
We curated the night to give guests a full spectrum of value: industry talks, creative showcases, and social segments that naturally encouraged connection. We kept the lighting low, the drinks flowing, and the music curated with intent. It was a space built to energise without overwhelming—a space where you could turn up solo and still feel part of something.
The impact has been real—some have gained production experience directly from contacts made at the event. Others have reached out to say it made them feel seen. One attendee told us it was the first time they’d ever felt excited about networking. That’s why we’re doubling down.
V5 of The Networking Event lands July 31st at Box Park in Shoreditch, and it’s set to be our biggest yet. More space, more talks, more chance to connect. We’re pulling in special guests, building interactive elements into the night, and refining everything we’ve learned so far.
For us, this isn’t just about networking—it’s about redefining what that even means. It’s about building a culture where creatives lift each other
SHOOTING JAZZ IN THE MAGISTRATES BALLROOM
A Behind The Scenes Story








Emily Dudley & Lewis Adams
26/0625